An all- time legend is born
An international team of some of the world’s most renowned engineers and manufacturers join forces to return the famous Biotar 1.5/75 to the world of modern day photography – more beautiful than ever before.
The Biotar 75 was considered the fastest portrait lens of its time and not many faster ones have ben build over time. Due to its high price which would translate into something close to eight to ten thousand dollars today the lens was manufactured in relatively small numbers. But over time photographers around the world cherished the lens not only for portraiture but for so much more, especially fashion, sports, wedding, architecture and even macro. And now an international team of some of the world’s most renowned engineers and manufacturers join forces to return the famous Biotar 75/1.5 to the world of modern day photography – more beautiful than ever before.
Legendary Characteristics of the Biotar 1.5/75
Features of a lens are one thing. The pictures which it enables the photographer to create are another.
- Focal length: 75 mm
- Aperture: f1.5 – f16
- Optical elements / groups: 6/4
- Aperture blades: 15
- Angle of field: +/– 19°
- Distortion: ≤ 1%
- Light loss max. (f1.5): 36%
- Min. focus: 0.8 m
- Filter thread: 58 mm
- Dimensions (mm): Ø 65 x 80
- Dimensions (inch): Ø 2.56 x 3.15
- Weight approx.: 520g / 18oz
The Biotar 75/1.5 was first introduced in 1938, sales began to pick up with a presentation at the Leipzig Spring Fair in 1940. But due to Second World War and to its high price at the time it remained a very special lens for the selected few. After the war production picked up again but only until 1960 when production was discontinued not the least because of continued legal issues between East and West. The name of the lens had always been subject to major battles legal battles between Carl Zeiss, Jena in East Germany and the West German Carl Zeiss that was founded after the war.
The Biotar was the first available light portrait lens but due to its high price remained an unfulfilled dream for many. The price was the equivalent of a two month salary of an engineer. The lens was promoted for sports, theater and reporter photography. At first portrait photography was not in the focus of the marketing activities. But soon the users realized its value for portraiture due to the extrem sharpness in the center and the swirling bokeh of the background with a small depth of field at f 1.5.
The lens was the star in combination with the most advanced cameras of its time from Ihagee(Exakta) to Zeiss (Contax) and Leica to name a few.
Some of the world’s most renowned lens designers have joined in this project under the leadership of Dr. Stefan Immes, who recently resurrected Meyer Optik, Goerlitz. Meyer Optik concentrates solely on their lenses and innovative developments of new aspherical lenses so for this ambitious project Dr. Immes formed a different team. For this project it was also necessary to create new capacities and expertise of production to ensure its success.
Innovation und Qualität in der Fotografie
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